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←		To Touch The Sky With A Finger (Or To Be Very Happy), Toccare il cielo con un dito	→
		(select installation and detail images) 2022 | latex paint on linen ten works 70 cm x 50 cm (approx. 27.5” x 19.5”) each An old fountain at the medieval wall of an Italian Alpine town seemed neglected. The faded sky blue paint on its carved out ceiling is powdered in steaks of white mineral residue, left over from years of exposure to water. These naturally-occurring mineral formations create incidental images of skyscapes: markings appear above us like clouds against a cerulean-painted background. The surrounding valley is narrow. Lush vegetation and jagged rock faces hang like curtains above. Only select segments of the sky are visible. These combined aspects inspired me to interact with this public work artistically, creating a “soft” intervention for the duration of a few days. Site-specific public art intervention, Chiavenna, Italy
	Contemporary Artist Visual Art Painting Landscape Abstract Lyrical Minimal Minimalism Horizon Gradient Field Color Colour Theory Conceptual Window Frame Interior Design Paint Home Improvement Nature alps alpine intervention chiavenna palazzo Italy Italia Italien village dorf schweitz schweitzer Minimalist Künstlerin Kuenstlerin Malerin Malerei collector artcollector gallery climate change plants sky skies water acqua fountain publicart global warming globalwarming weather arte pubblica arte installativa fontana d'arte arte della fontana Valtellina Lombardia Leipzig Spinnerei zeitgenössische zeitgenoessische Künst Künstlerin Ecology Arte Sky Weather Psychogeography Neoromanticism Postminimalism atelier studio wall Baumwollspinnerei Elizabeth Gerdeman
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